Silk Shopping in the South of France

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A Dragon Banner in the Courtyard

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The Hand Isabella Dealt: A Selection of Playing Cards in the Collection

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Madame Manet in the Conservation Lab

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Conservation Treatment of Chest in Dutch Room

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Édouard Manet, James McNeill Whistler, and a Stolen Vermeer: Unexpected Connections at the Gardner Museum

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From Paper to Stone: The Gardner’s Persian Cenotaph

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Commemorating a Marriage: An Imperial Crane and Turtle Box

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John Singer Sargent’s Sojourn in the Rocky Mountains

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Manet’s Mother

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The Thrill of the Chase: Isabella’s First Rembrandt

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Reflections on a Legacy

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Isabella’s Apartment on the Fourth Floor

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Unveiling Moroccan Heritage: John Singer Sargent's Incensing the Veil

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The Prince's Chairs in the Titian Room

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Float Like a Butterfly, Sting Like a Bee: James McNeill Whistler

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A. Piatt Andrew, the “A” to Mrs. Gardner’s “Y”

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The Spirit of Violets

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Notes on a Treacherous Becoming

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A Saint’s Many Faces: The Altar of Saint Maurice and the Theban Legion

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The Vinegar Tasters

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“Listen And You Shall Hear”: The Gardner Museum Autograph of Longfellow’s “Paul Revere’s Ride”

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Dodge Macknight: Boston’s Watercolor Painter

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Laser Cleaning: William Morris Hunt’s The Horses of Anahita

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Did They or Didn't They? F. Marion Crawford and Isabella Stewart Gardner

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Isabella Stewart Gardner’s Travels in India

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Traces of Decoration on a Chinese Mirror-Black Vase

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Henry Mercer’s Moravian Pottery and Tile Works at Fenway Court

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Steve McQueen's Lynching Tree

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The Elusive White Fox by Okakura Kakuzō

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The Auspicious Arrival of the Jade: Herald of Good Fortune

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The Story Behind John Singer Sargent’s Portrait of Isabella Stewart Gardner

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Gustave Courbet’s Landscape Cleaned Up

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Marie Antoinette in the Gardner Museum

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From Paris to the Perkins School for the Blind: Isabella’s Purple Slippers

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Searching for Answers: Isabella’s Native American Basket

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Mesmerizing and Masterful Miniatures: History and Treatment of Snuff Bottles

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FROM ISABELLA’S MUSIC ROOM TO SYMPHONY HALL: COMPOSER MARGARET RUTHVEN LANG

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Technical Study of an 11th-12th Century Guanyin Sculpture

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Correspondence from Cochin the Cat

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Connecting Cultural Worlds: An Embroidery from India Celebrating Portugal’s Monarchy

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Visions of Agapanthus

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From A Little Spark May Burst A Flame: Ackroyd & Harvey’s ‘Script’

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Secrets of the Gardner Museum Collection’s Furniture

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Musician Roland Hayes’ 80th Birthday Celebration

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Botticelli’s Virgin and Child: Infrared and Ultraviolet Light Imaging

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Isabella and the Complexities of Mother’s Day

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“Spain Says It All:” Isabella Stewart Gardner’s Travel Albums

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Treasure Chest: Isabella’s Gilt Vitrine

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Deceptive Intimacy: Isabella Stewart Gardner’s 1883 Japan Travel Albums

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Leafing Through Isabella’s Travel Album: Spain and Portugal, Volume II, 1888

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Saint Christopher: World's Best Travel Companion

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Betye Saar & The Gardner Museum: A Long-Standing Relationship

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The Orchid Habit: Under the Spell of the Cymbidium

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Making Reproductions of Two Hanging Scroll Paintings at the Gardner Museum

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Mirrors with a Memory: The Gardner Family Daguerreotypes

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Francesco Pesellino’s Painting and Men’s Fashion in the Italian Renaissance

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Open House: How Isabella’s Home Exhibition Funded Trailblazing Cotting School

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The Misattributed Ballerina: Louis Kronberg or Edgar Degas?

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In the Soldier’s Service: Mary Dexter, Isabella Stewart Gardner, and Caring for the Soldiers of WWI

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Isabella’s Reliquary of Friendship: Her Bond with Okakura Kakuzō

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Isabella Stewart Gardner and Simone Martini

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The Medusa Mosaic in the Courtyard

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Isabella’s Delightful Stone Fruit Baskets

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Isabella Stewart Gardner, the American West, and Central America

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Lady Augusta Gregory: One of Isabella’s Pen Pals

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The History of Labor Day and the Laborers Who Built the Gardner Museum

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Revealing the Layers of European Painted Wood Sculptures Using XRF Technology

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Isabella’s Children's Books: From the Babes in the Wood to Doctor Dolittle

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Relics of an Emperor: Napoleon Bonaparte in the Gardner Museum

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John Singer Sargent, Isabella Stewart Gardner, and Spain

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The Promise of the Chimney Bellflower

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Inside the French Authors Case: Alexandre Dumas

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Isabella’s Spiritual Life Revealed

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How The Magic Flute Inspired Maurice Sendak and Isabella Stewart Gardner

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The Secrets Revealed by the Long Gallery Stools’ Conservation

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Une Femme Bibliophile: Isabella’s Book of Hours by Bourdichon

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The Story of Bus Park: How Isabella’s Children’s Books Fueled Nari Ward’s Imagination

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Isabella’s Bookworm Friendship with Vernon Lee

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Isabella's Desk of Curiosities in the Macknight Room

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Restoring A Portrait by Andreas Martin Andersen

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The Overlooked Female Photographer, Clover Adams

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Isabella and Okakura Kakuzō’s Impactful Friendship

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A Rare and Unique Turkish Tile

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Isabella Stewart Gardner and Her Horses

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The Story Behind Isabella’s Venetian Campanile Cup

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Remembering Isabella: Her Yearly Memorial Service

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Conserving the Works on Paper of the Short Gallery

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The Elevation of the Nasturtium: From Plate To Palace Garden

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Ethel Smyth: Composer and Activist

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The Five Frames Left Behind

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Women on Display: Elizabeth Wentworth Roberts

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The Story Behind Porsha Olayiwola’s Poetry

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Beger Sølv- The Gardner’s Hanseatic Beaker

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Visiting Fenway Court in the Days of Isabella

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Those Who Come Before Us Help Make Us Who We Are

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Francesco Torbido and the Diversity of 16th century Venice

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Isabella’s Lace

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Forever is a Long Time

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The New Wing a Decade Later

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Ovid, Titian, and the Depiction of Violence Against Women

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Inside the Collection Blog

Dig deeper into our collections with our most recent stories.

  • A red textile with a woven pattern depicting a family silk manufacturer; a man operates a 19th-century jacquard loom in the foreground while a woman spins silk yarns in the background.

    Silk Shopping in the South of France

    Visit Prelle et Cie in Lyon–the capital of European silk weaving–to learn more about the reproduction of textiles for the Dutch Room. 
  •  Color photograph of Dragon banner hanging from Isabella Stewart Gardner Courtyard’s north wall.

    A Dragon Banner in the Courtyard

    Uncovering the mystery around Isabella Stewart Gardner’s dragon flag. 
  • An overhead view of three decks of cards secured by an orange ribbon that is personalized with Isabella's name.

    The Hand Isabella Dealt: A Selection of Playing Cards in the Collection

    Embark on a journey of Isabella’s travels through her personal collection of playing cards. 
  • A detail of the hands holding an object in the painted portrait of a white woman, showing a less yellow skin tone where the varnish has been cleaned

    Madame Manet in the Conservation Lab

    Conservation efforts reveal significant revisions to Madame Manet.  
  • The front of a wooden chest of drawers inlaid with scrolling flowers and birds.

    Conservation Treatment of Chest in Dutch Room

    The journey to give new life to a Venetian chest of drawers
  •  A white woman, dressed in black is seated, playing a piano.

    Édouard Manet, James McNeill Whistler, and a Stolen Vermeer: Unexpected Connections at the Gardner Museum

    What do Édouard Manet, James McNeil Whistler, art critic Théophile Thoré-Burger, Johannes Vermeer and Isabella Stewart Gardner have in common? It turns out, alot.   
  • A hall with a brick and stone staircase and pink marble columns. In the space under the stairs is an elaborately carved gray stone rectangular cenotaph.

    From Paper to Stone: The Gardner’s Persian Cenotaph

    Due to its humble placement you may miss the detail, depth, and meticulous carving on this cenotaph. Read on to see similar complex designs on paper and silk, and how Timurid artisans used them for their craft.
  • A silver box with an iridescent patina for a stork standing over two turtles.

    Commemorating a Marriage: An Imperial Crane and Turtle Box

    A hidden gem with Imperial significance that you might miss, but shouldn’t.
  • A watercolor of a tent made with white fabric over a log frame situated amongst pine trees. The tent flap is open and some camping supplies or belongings can be seen inside.

    John Singer Sargent’s Sojourn in the Rocky Mountains

    John Singer Sargent captures the romantic notions of the Canadian Rocky Mountains but omits Indigenous People that called these areas home.