This painted wood German statue from 1440-1450 shows the Virgin kneeling on a carved prie dieu, or prayer desk, beside which a taller, difficult to distinguish figure arises, possibly Archangel Gabriel. The Virgin looks downward over her right shoulder, forearm, and open hand raised in front of her chest. Her left forearm and hand rest on an open book on the top of the prie dieu. She wears a goldfish-brown cloak over her head which falls to the floor covering her shoulders, most of her arms, back and feet, the two sides fastened with a hexagonal-shaped fastener on her chest. Her long, straight undergarment peers out beneath her cloak and down her front, although it is not clear if its pink shade is a contrasting wood or has been painted. Her face is full, hair visible above her forehead, and her eyes and mouth are shut. The L-shaped prie dieu upon which she kneels has a plain base and on the lateral, vertical sides two levels of carved twin arches recessed within frames. The figure next to the Virgin is enigmatic. It has a large rounded sphere, possibly a head at the top, although a curious knob projects from the top left and no facial features are apparent. After an indentation, possibly a neck, folds of fabric fall and are largely obscured by the prie dieu. What might be be a raised closed fist and fingers are held in front of this unknown figure.
German, Franconia
Virgin Annunciate,
1440-1450
Wood
,
50.8 cm (20 in.)
Object details
Accession number
S28e31
Primary Creator
German, Franconia
Full title
Virgin Annunciate
Creation Date
1440-1450
Provenance
Purchased by Isabella Stewart Gardner from the art dealer Theodor Einstein & Co., Munich for about 60 marks on 16 August 1897 through her husband, John L. Gardner, Jr. (1837–1898).
Dimensions
50.8 cm (20 in.)
Display Media
Wood
Web Commentary
Isabella Stewart Gardner kept meticulous records of many of her acquisitions. In keeping with this legacy, object information is continually being reviewed, updated, and enriched in order to give greater access to the collection.
Permanent Gallery Location
Chapel
Bibliography
Anneliese Harding. German Sculpture in New England Museums (Boston, 1972), p. 83. (as Franconian, about 1430-1450)
Cornelius C. Vermeule III et al. Sculpture in the Isabella Stewart Gardner Museum (Boston, 1977), p. 175, no. 238. (as Franconian, about 1440-1450)
Rights and reproductions
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Isabella Stewart Gardner kept meticulous records of many of her acquisitions. In keeping with this legacy, object information is continually being reviewed, updated, and enriched in order to give greater access to the collection.