Object details
Object number
P3s5
Creator(s)
Édouard Manet
(Paris, 1832 - 1883, Paris)
Title
Chez Tortoni
Date
about 1875
Medium
Oil on canvas
Dimensions
26 x 34 cm (10 1/4 x 13 3/8 in.)
Signatures, inscriptions, and markings
Signed (lower left): Manet
Provenance
Possibly in the collection of the painter Georges Chenard-Huché (1864–1937).
Collection of Alphonse Kann (1870–1948).
Collection of Dikran Khan Kélékian (1868–1951) by 1920.
Purchased by Isabella Stewart Gardner at the American Art Association auction of Dikran Khan Kélékian's collection, New York on 30-31 January 1922 for $3400, lot 104, through American artist Louis Kronberg (1872–1965).
Stolen in 1990.
Commentary
Isabella Stewart Gardner Gardner installed Chez Tortoni, a small painting of a sophisticated gentleman sitting in a popular Parisian café by the French artist Édouard Manet, below the portrait of the artist’s mother that she had acquired more than a decade earlier. While Gardner never met Manet, his painterly style and love of Spanish old master painters made his work a good fit for her collection.
On the night of the theft in 1990, the larger portrait had been removed for cleaning, and only the smaller Manet was on view. Purchased in 1922, two years before Gardner died, Chez Tortoni was the only work stolen from the first floor. Adding insult to injury, the thieves left the frame in the office of the Museum’s security director at the time.
The Museum is offering a reward of $10 million for information leading directly to the recovery of all 13 works in good condition. Anyone with information about the theft or location of the stolen artworks should contact the Museum at 617-278-5114 or theft@gardnermuseum.org. Confidentiality and anonymity are assured.
Bibliography
Arséne Alexandre. Collection Kélékian: Tableaux de L'Ecole Française Moderne (Paris, 1920), no. 45.
American Art Association. The Notable Private Collection of Modern Pictures belonging to the widely known antiquarian Dikran Khan Kélékian of Paris and New York (New York, 30-31 January 1922), lot 104, ill.
Catalogue. Fenway Court. (Boston, 1924 or 1925), p. 1.
Adolphe Tabarant. Manet: Histoire catalographique (Paris, 1931), p. 340, no. 292. (as "Journaliste" 1878 and café as La Nouvelle Athènes)
Philip Hendy. Catalogue of Exhibited Paintings and Drawings (Boston, 1931), pp. 225-26.
Paul Jarmot and Georges Wildenstein. Manet I (Paris, 1932), p. 165, no. 367, fig. 79. (as "Portrait de Chenard-Huché, peintre, Chez Tortoni)
Gilbert Wendel Longstreet and Morris Carter. General Catalogue (Boston, 1935), p. 25.
Stuart Preston. "Chez Tortoni" in Alfred M. Frankfurter (ed.). The Gardner Collection (New York, 1946), p. 51. (as "Chez Tortoni", 1875?)
Philip Hendy. European and American Paintings in the Isabella Stewart Gardner Museum (Boston, 1974), pp. 152-53.
Denis Rouart and Daniel Wildenstein. Edouard Manet. Catalogue raisonné (Lausanne-Paris, 1975), pp. 254-55, no. 328.
Juliet Wilson-Bareau (ed.). Manet by Himself (Boston, 1991), p. 235, pl. 185. (as "Man Writing in the Café / 'Chez Tortoni'" about 1878)
Kenneth McConkey. Impressionism in Britain. Exh. cat. (London: Barbican Art Gallery; Dublin: Hugh Lane Municipal Gallery or Modern Art, 1995), p. 156, under no. 131. (as Chez Tortoni)
Holly Salmon, "The Five Frames Left Behind," Inside the Collection (blog), Isabella Stewart Gardner Museum, 15 March 2022, https://www.gardnermuseum.org/blog/five-frames-left-behind
Gallery
Blue Room
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