This series of free, digital programs explores the ways some Black American composers have found inspiration in the rich tradition of spirituals. The Gardner Museum builds on its ongoing partnership with the Boston-based ensemble Castle of our Skins to create four short videos exploring this repertoire.
The Museum’s collection includes Isabella’s personal copy of Afro-American Folksongs (1914), which features arrangements of spirituals by the eminent Harry T. Burleigh. As a composer, arranger, and performer, Burleigh was at the epicenter of an early group of composers who championed spirituals as “pure gold.” You can learn more about this book on the blog.
This video series aims to lift up some of the enormous body of music created by generations of composers who drew on that powerful river of song, which W. E. B. Dubois said “stands today not simply as the sole American music, but as the most beautiful expression of human experience born this side the seas." (The Souls of Black Folk, 1903)
March 19, 2021
Episode 1: Deep River
For over a century, Deep River has been an iconic piece of music. It was the first spiritual Harry T. Burleigh arranged, in a version championed by legends like Marian Anderson and Paul Robeson. When composer Samuel Coleridge-Taylor published his 24 Negro Melodies for piano in 1904, he called Deep River “the most beautiful and touching melody of the whole series.” Deep River even left its melodic imprint on the music of William Dawson’s Largo, heard here in its modern-day premiere, in an edition commissioned by the Gardner Museum.
About Castle of our Skins
Born out of the desire to foster cultural curiosity, Castle of our Skins is a concert and educational series dedicated to celebrating Black artistry through music. From classrooms to concert halls, Castle of our Skins invites exploration into Black heritage and culture, spotlighting both unsung and celebrated figures of past and present.