Two nearly identical bronze bears from China that were used to weigh down the corners of mats used for seating. The bears sit on their rumps, their right hind legs raised and bent at the knees so that the right paws rests on the ground. Their left legs are bent at the knee and are tucked under their bellies, the side of the lower legs and feet in contact with the ground. Their front legs are fully extended and support the crouched-over bodies. Their backs, necks, and forward-leaning head form an almost uninterrupted smooth semi-circular contour, except for their small ears peaking above. Their open mouths and open eyes make it seem like the animals are about to growl. Now mostly bronze colored, small areas of gilding and green pigment can be seen. The only difference between the two bears is that one has a small hole in the back.
Mat Weights: Bears,
about 206 BCE - 9 CE
Bronze with traces of gilding
15.5 cm (6 1/8 in.)
Delightfully naturalistic, these two bears sit heavily and somewhat awkwardly on the ground. With one hind leg tucked under, each one opens its mouth in a friendly growl. The carefully observed depiction of the animals cannily matches their original function, for these bronzes were meant to weight down the corners of straw or textile mats that were placed on low platforms for seating. Made in sets of four, mat weights have been excavated in aristocratic tombs of the Han dynasty. Often finely crafted, they appear to be highly prized personal possessions of daily use that were buried with their owners to represent the continuity between the living world and the afterlife.Bears emerged as favored subjects in the art and literature of the Western Han dynasty. They may have had been associated with protective nature spirits, although real bears could also have been seen in the royal zoo of the emperor Wudi (ca. 140–87 BCE) at the capital Chang’an (present-day Xi’an). In fact, the bears in the Gardner Museum, which are unusually large mat weights, were apparently found near Xi’an in 1900.Source: Eye of the Beholder, edited by Alan Chong et al. (Boston: ISGM and Beacon Press, 2003): 178.