Bernardino Pinturicchio - The Virgin and Child, about 1490-1495

Bernardino Pinturicchio (Perugia, about 1452 - 1513, Siena)

The Virigin and Child, about 1490-1495

Tempera on panel, 30.2 x 26 cm (11 7/8 x 10 1/4 in.) panel

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Object details

Accession number

P15w35

Provenance

Purchased by Bernard Berenson (1865–1959), American art historian, from the art dealer Emilio Costantini, Florence on 11 November 1901.
Purchased by Isabella Stewart Gardner from Bernard Berenson, Florence on 19 February 1902 for £4,000, via Miss Toplady (a firm of art dealers established by Logan Pearsall Smith (1865–1946), brother-in-law of Bernard Berenson), London.

Bibliography

Bernard Berenson. The Central Italian Painters of the Renaissance (New York, 1897), p. 228.
Catalogue. Fenway Court. (Boston, 1903), p. 9.
Philip Hendy. Catalogue of Exhibited Paintings and Drawings (Boston, 1931), pp. 266-69.
Gilbert Wendel Longstreet and Morris Carter. General Catalogue (Boston, 1935), p. 98.
Morris Carter. "Mrs. Gardner & The Treasures of Fenway Court" in Alfred M. Frankfurter (ed.). The Gardner Collection (New York, 1946), p. 60.
Sylvia Sprigge. Berenson, a Biography (Boston, 1960), pp. 183-85.
“Notes, Records, Comments.” Gardner Museum Calendar of Events 9, no. 37 (15 May 1966), p. 2. (excerpting Sylvia Sprigge, pp. 138-85)
Philip Hendy. European and American Paintings in the Isabella Stewart Gardner Museum (Boston, 1974), pp. 184-85.
David Alan Brown. "Berenson and Mrs. Gardner: The Connoisseur, the Collector and the Photograph." Fenway Court. (1978), pp. 24-29, no. 3.
Rollin van N. Hadley (ed.). The Letters of Bernard Berenson and Isabella Stewart Gardner 1887-1924 (Boston, 1987), pp. 275-277, 279-284, 296, 309.
Pietrro Scarpellini and Maria Rita Silvestrelli. Pintoricchio (Milan, 2003), pp. 150, 154, fig. 23.
Carl Brandon Strehlke and Machtelt Brüggen Israëls. The Bernard and Mary Berenson Collection of European Paintings at Villa I Tatti (Milan, 2015), p. 756, no. A86.


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Commentary

Isabella Stewart Gardner kept meticulous records of many of her acquisitions. In keeping with this legacy, object information is continually being reviewed, updated, and enriched in order to give greater access to the collection.