The marble relief sculpture is horseshoe-shaped, with the round end up. It is comprised by an inner field, surrounded by a narrow border, and a broader one towards the exterior. The narrow border is formed by alternating tooth-like projections, while the broad one is adorned with two styles of alternating carved flowers. The relief is symmetrical about an invisible, central vertical line. From the center bottom of the inner field rises a pair of columns with conical capitals, capped by one intact stone. The columns are as tall as about two thirds of the field they occupy. Halfway up, the columns appear to soften into ropes and tie into a square knot. Above the knot, they resume their normal stiffness.   Two pairs of realistic birds shown from the profile complete the design and animate the field. The larger pair of birds resemble mirror image peacocks. They flank the central columns, mimicking their size and orientation. Their bundles of tail feathers resemble elongated gourds and lead to oval shaped bodies and long outstretched necks. Their necks curve outwards and then inwards as their beaks extend up to the top of the columns’ capitals. The peacocks’ legs form thin diagonal lines as they reach inward to meet the column knot, which supports them. The upper pair of birds is smaller. They are both facing the exterior of the relief, yet their necks are turned such that their heads face inward. Their tails are crossed into an “X” form that rests on the stone topping the columns. The space created between the bodies and necks of the birds is heart-shaped and filled with an intricate decorative floral motif.