Antonio Mancini - John Lowell Gardner, Jr., 1895

Antonio Mancini (Albano Laziale, 1852 - 1930, Rome)

John Lowell Gardner, Jr., 1895

Oil on canvas, 104 x 74 cm (40 15/16 x 29 1/8 in.)

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Object details

Accession number

P17e1

Provenance

Commissioned by Isabella Stewart Gardner from the artist Antonio Mancini (1852-1930), Rome for 1,500 lire in April 1895 at the suggestion of the artist John Singer Sargent (1856-1925).
Painted by the artist in the Palazzo Barbaro, Venice from April to May 1895 .

Marks

Inscribed (upper right): A Mancini – Venezia.

Dimension Notes

Frame: 124.3 x 94.3 cm (48 15/16 x 37 1/8 in.)

Bibliography

Catalogue. Fenway Court. (Boston, 1903), p. 7. (as "Portrait")
Maud Howe Eliot. Three Generations (Boston, 1924), p. 269.
Morris Carter. Isabella Stewart Gardner and Fenway Court (Boston, 1925; Reprint, Boston, 1972), p. 153.
Philip Hendy. Catalogue of Exhibited Paintings and Drawings (Boston, 1931), pp. 219-22.
Gilbert Wendel Longstreet and Morris Carter. General Catalogue (Boston, 1935), p. 125.
Morris Carter. "Mrs. Gardner & The Treasures of Fenway Court" in Alfred M. Frankfurter (ed.). The Gardner Collection (New York, 1946), pp. 5-6, ill.
Michele Biancale. Antonio Mancini: La Vita: Roma 1852-1930 (Rome, about 1952), p. 105.
Corinna Lindon Smith. Interesting People (Norman, Oklahoma, 1962), p. 156.
“Notes, Records, Comments.” Gardner Museum Calendar of Events 6, no. 26 (24 Feb. 1963), p. 2.
“Notes, Records, Comments.” Gardner Museum Calendar of Events 6, no. 31 (31 Mar. 1963), p. 1. (excerpting Corinna Lindon Smith, p. 156)
Dario Cecchi. Antonio Mancini (Turin, 1966), pp. 155-56.
George L. Stout. Treasures from the Isabella Stewart Gardner Museum (Boston, 1969), pp. 130-31, ill.
Philip Hendy. European and American Paintings in the Isabella Stewart Gardner Museum (Boston, 1974), pp. 148-50, ill.
Elizabeth Anne McCauley et al. Gondola Days: Isabella Stewart Gardner and the Palazzo Barbaro Circle. Exh. cat. (Boston: Isabella Stewart Gardner Museum; Venice: Biblioteca Nazionale Marciana, 2004), pp. 98, 109, 128, 238-39, 274, figs. 82, 176.
Ulrich W. Hiesinger. Antonio Mancini: Nineteenth-Century Italian Master. Exh. cat. (Philadelphia Museum of Art: Philadelphia, 2007), p. 71.
Manuel Carrera. "Antonio Mancini in Inghilterra. Il rapporto con John Singer Sargent." Storia dell'Arte 133, no. 33 (2012), p. 155, fig. 6.
Paolo Plebani. "Lotto in Accademia Carrara Not sulla 'fortuna' dell'artista" in Accademia Carrara. Un lotto riscoperto. Exh. cat. (Bergamo: Accademia Carrara, 2016-2017), pp. 57-59, fig. 3.


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Commentary

Isabella and her husband, John “Jack” Gardner, met Mancini in Rome in April 1895. They bought the pastel, "The Little Groom" (found in the Blue Room on the first floor) and arranged for the painter to follow them to Venice to paint this portrait. It was the year of the first Biennial International Exhibition in Venice. Mancini was sending two pictures to it, and the proposal enabled him to be at the opening. The portrait was painted at the Palazzo Barbaro, where Mr. and Mrs. Gardner were staying with their friends, expatriates Daniel and Ariana Curtis.