Object details
              Object number
        P3w31
            Creator(s)
              
                      
              John Singer Sargent
            
                    (Florence, 1856 - 1925, London)
        
                    Title
        Santa Maria della Salute, Venice
                    Date
        1903-1907
                    Medium
        Watercolor on paper
                                                  Dimensions
        34.9 x 53.5 cm (13 3/4 x 21 1/16 in.)
                    Additional Dimensions
        Frame: 55 cm x 70 cm (21 5/8 in. x 27 9/16 in.)
                    Signatures, inscriptions, and markings
        Signed in ink (bottom right): John S. Sargent
Inscribed in ink (verso): 1374; 4
                    Provenance
        Gift from John Singer Sargent to Alice Faraday (1847–1952), widow of the English artist Frederick Barnard (1846–1896) in 1903–1907.  
Robinson & Farr, Philadelphia.
Sold to M. Knoedler & Co., New York on 27 December 1915. [ as "The Giudecca, Venice" (stock book, no. WC 1032)]
Ehrich Galleries, New York, December 1916.
Purchased by Isabella Stewart Gardner from the gallery Doll & Richards, Boston on 26 October 1916 for $1,250. (as "The Giudecca, Venice")
                    Commentary
        By depicting the back of Santa Maria della Salute, Sargent renders this iconic Venetian site from an unusual, less formal perspective. The cropped view of fishing boats moored in the Giudecca Canal suggests the spontaneity of a modern snapshot. With its golden sunlight and striking composition, this is one of Sargent’s most brilliant watercolors.
Source: Oliver Tostmann and Anne-Marie Eze, The Inscrutable Eye: Watercolors by John Singer Sargent in Isabella Stewart Gardner’s Collection, exhibition on view in the Museum's Fenway Gallery, October 31, 2013–January 20, 2014.
                    Bibliography
        Gilbert Wendel Longstreet and Morris Carter. General Catalogue (Boston, 1935), p. 35.
David McKibbin. "Sargent's Water-Colours of Venice at Fenway Court." Fenway Court (1970), pp. 19-25, fig 1.
Philip Hendy. European and American Paintings in the Isabella Stewart Gardner Museum (Boston, 1974), pp. 230-31.
Elizabeth Anne McCauley et al. Gondola Days: Isabella Stewart Gardner and the Palazzo Barbaro Circle. Exh. cat. (Boston: Isabella Stewart Gardner Museum, 2004), p. 157, fig. 107.
                    Gallery
        Blue Room
                  
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