bacchiacca - A Lady with a Nosegay, about 1525

bacchiacca (Florence, 1494 - 1557, Florence)

A Lady with a Nosegay, about 1525

Oil on linden panel, 57 x 43.8 cm (22 7/16 x 17 1/4 in.) panel

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Object details

Accession number

P15e13

Provenance

Collection of William Rankin, New York.
Collection of the dealer Carlo Coppoli, Florence by 1901.
Purchased by Isabella Stewart Gardner from Carlo Coppoli, Florence in February 1901 for £500 through Bernard Berenson (1865–1959), American art historian.

Bibliography

Catalogue. Fenway Court. (Boston, 1903), p. 12.
Arthur McComb. "Francesco Ubertini (Bacchiacca)." The Art Bulletin 8, no. 3 (March 1926), pp. 140-167, fig. 18.
Philip Hendy. Catalogue of Exhibited Paintings and Drawings (Boston, 1931), pp. 19-21.
Stuart Preston. "A Lady with a Nosegay" in Alfred M. Frankfurter (ed.). The Gardner Collection (New York, 1946), p. 23.
Sylvia Sprigge. Berenson, a Biography (Boston, 1960), pp. 183-85.
“Notes, Records, Comments.” Gardner Museum Calendar of Events 9, no. 37 (15 May 1966), p. 2. (excerpting Sylvia Sprigge, pp. 183-85)
Burton B. Fredericksen and Federico Zeri. Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, 1972), p. 13.
Philip Hendy. European and American Paintings in the Isabella Stewart Gardner Museum (Boston, 1974), pp. 8-10.
Rollin van N. Hadley (ed.). The Letters of Bernard Berenson and Isabella Stewart Gardner 1887-1924 (Boston, 1987), pp. 235, 237, 246-248, 250-251, 260, 262-264, 295.
Hilliard Goldfarb. Imaging the Self in Renaissance Italy. Exploring Treasures in the Isabella Stewart Gardner Museum III. Exh. cat. (Boston: Isabella Stewart Gardner Museum, 1992), pp. 21-23, ill.
Hilliard Goldfarb et al. Italian Paintings and Drawings Before 1800 in the Isabella Stewart Gardner Museum. Unpublished manuscript. (Boston, 1996-2000).


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Commentary

Isabella Stewart Gardner kept meticulous records of many of her acquisitions. In keeping with this legacy, object information is continually being reviewed, updated, and enriched in order to give greater access to the collection.

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