Edgar Degas - A Ballerina (Danseuse à la barre), about 1880

Edgar Degas (Paris, 1834 - 1917, Paris)

A Ballerina (Danseuse à la barre), about 1880

Black and ochre chalk and pink and white pastel on paper , 30 x 22.8 cm (11 13/16 x 8 15/16 in.)

Close
(Paris, 1834 - 1917, Paris)

Object details

Accession number

P11s9

Primary Creator

Edgar Degas

Full title

A Ballerina (Danseuse à la barre)

Creation Date

about 1880

Provenance

Estate of the artist.
At auction by Galerie Georges Petit, Paris on 7-9 April 1919 (Third sale, Atelier Edgar Degas, lot 125).
Purchased by Isabella Stewart Gardner from the gallery Durand-Ruel, New York on 30 March 1920 for $500 through American artist Louis Kronberg (1872–1965).

Marks

Stamped (lower left): Degas
Inscribed in black chalk in Degas' hand (upper left): bras gauche mauvais, en chercher un autre

Dimensions

30 x 22.8 cm (11 13/16 x 8 15/16 in.)

Display Media

Black and ochre chalk and pink and white pastel on paper

Web Commentary

Isabella Stewart Gardner kept meticulous records of many of her acquisitions. In keeping with this legacy, object information is continually being reviewed, updated, and enriched in order to give greater access to the collection.

Permanent Gallery Location

Macknight Room

Bibliography

Galerie Georges Petit. Catalogue des Tableaux, Pastels et Dessins par Edgar Degas et provenant de son atelier,... (Paris, 7-9 April 1919), p. 105, lot 125.
Durand-Ruel Galleries. Exhibition of Pastels and Drawings by Degas (1834-1917) (New York, 11-27 March 1920), p. 4, no. 66.
Philip Hendy. Catalogue of Exhibited Paintings and Drawings (Boston, 1931), pp. 126-27.
Gilbert Wendel Longstreet and Morris Carter. General Catalogue (Boston, 1935), pp. 65-66.
Rollin van N. Hadley (ed.). Drawings: Isabella Stewart Gardner Museum (Boston, 1968), pp. 43, 45, no. 21.

Rights and reproductions

The use of images, text, and all other media found on this website is limited. Please review Rights and Reproductions for details.

Commentary

Isabella Stewart Gardner kept meticulous records of many of her acquisitions. In keeping with this legacy, object information is continually being reviewed, updated, and enriched in order to give greater access to the collection.