1. Lace Case. 

European (many Italian), 16th–19th century. Linen, cotton, and silk

2. Pietro Pisani, Procurator of St. Mark’s Basilica, 

1701. Niccòlo Cassana (Italian, 1659–1713). Oil on canvas

3. Pedestal. 

Italian, 1800–1810. Gilded wood

On top: 

• Candelabrum. French, 19th century. Gilt bronze

4. Candlesticks. 

Italian, Venice, late 17th or early 18th century. Green glass and gilt bronze

5. Vases. 

Italian, Florence, 18th century. Majolica

6. Vitrine. 

Central Italy, mid-18th century. Painted and gilded wood with glass

Inside the vitrine: 

• Black Glass Madonna. Italian, Murano, about 1600

7. Ostrich egg

8. Side Table. 

Central Italian, 1780s. Painted and gilded wood with later marble top

9. Armchair. 

Italian, Venice, 1750–1799. Painted wood

10. Table Cover. 

Designed by Denman Waldo Ross (American, 1853–1935) as a replacement, 1944.

On the table: 

• Meissen Plates, German, 19th century
• Tray, English or Dutch, early 18th century. Metal
• Coffee/Hot Chocolate Set, French, about 1810–20. Porcelain
• four Candlesticks, Italian, 17th century. Gilded wood
• Bowl, Chinese or Japanese, 19th century. Pewter

11. Side chair. 

Dutch, early 19th century. Wood

12. The Vision of St. Anthony of Padua, 

after 1662. Filippo Lauri (Italian, 1623–1694). Oil on copper

13. Writing Desk. 

German, 18th century. Wood

On the desk: 

• Candlestick, Italian, 18th century. Glass
• Mirror, Indian, 19th century. Silver filigree
• Inkstone Box. Japanese, 19th century. Lacquered wood with gold and silver decoration 
• Man of Sorrows. Enamel painting on copper
• Desk Set, French, 19th century. Silver
• Vase. Chinese, 17th century. Pottery with metal top
• two Bells. Bronze 
• Branch with leaves and fruit. Wrought iron
• Cup, Norwegian, 17th century. Silver
• Beaded Flowers, 19th century
• Box, French, 19th century. Porcelain
• Coat of Arms in the shape of a man
• Bell in the shape of a woman. Enameled iron
• Pen Wiper. Felt and leather with blue and silver thread
• gray and black Stone

14. Chair from a gig (2-wheeled carriage). 

Italian, Venice, mid-18th century. Painted and gilded wood

On the walls:

• Leather Panels. Italian and Netherlandish, 17–18th century. Paint and varnished silver leaf on leather

On the ceiling:

• The Coronation of Hebe, 1580–1589. Studio of Paolo Veronese (Italian, 1528–1588). Oil on canvas

1. Armchair. 

Italian, Venice, mid-18th century. Painted and gilded wood

2. Table Cover. 

Western European, 19th century. Linen

On the table: 

• Meissen Plates, German, 19th century
• Tray, English or Dutch, early 18th century. Metal
• Coffee/Hot Chocolate Set, French, about 1810–20. Porcelain
• four Candlesticks, Italian, 17th century. Gilded wood
• Bowl, Chinese or Japanese, 19th century. Pewter

3. The Vision of St. Anthony of Padua, 

After 1662. Filippo Lauri (Italian, 1623–1694). Oil on copper

4. Writing Desk. 

German, 18th century. Wood

On the desk: 

• Candlestick, Italian, 18th century. Glass
• Mirror, Indian, 19th century. Silver filigree
• Inkstone Box. Japanese, 19th century. Lacquered wood with gold and silver decoration 
• Man of Sorrows. Enamel painting on copper
• Desk Set, French, 19th century. Silver
• Vase. Chinese, 17th century. Pottery with metal top
• two Bells. Bronze 
• Branch with leaves and fruit. Wrought iron
• Cup, Norwegian, 17th century. Silver
• Beaded Flowers, 19th century
• Box, French, 19th century. Porcelain
• Coat of Arms in the shape of a man
• Bell in the shape of a woman. Enameled iron
• Pen Wiper. Felt and leather with blue and silver thread
• gray and black Stone

5. Chair from a Gig (2-wheeled carriage).

Italian, Venice, mid-18th century. Painted and gilded wood

6. Table. 

English (?), 19th century. Inlaid wood 

On the table: 

• Lamp. Italian, late 19th–early 20th century. Silver

7. The Little Note in Yellow and Gold, 

1886. James McNeill Whistler (American, 1834–1903). Photographic reproduction of a chalk and pastel drawing

8. Lapis Lazuli, 

1885–86. James McNeill Whistler. Photographic reproduction of a chalk and pastel drawing

9. The Wedding of Frederick Barbarossa to Beatrice of Burgundy, 

1752. Giovanni Domenico Tiepolo (Italian, 1727–1804). Oil on canvas

10. The Violet Note, 

1885–86. James McNeill Whistler. Photographic reproduction of a chalk and pastel drawing

11. The Sweet Shop, Chelsea, 

about 1886. James McNeill Whistler. Oil on wood

12. Altar Frontal with the Virgin on the Crescent Moon. 

Italian, 17th century. Painted leather

13. Sofa. 

Italian, Venice, 1780s. Painted wood

14. Armchair (six in this room). 

Italian, late 19th century with 17th century elements. Walnut with modern stamped and metal leafed leather

15. Tilt-top Table. 

Italian, Venice, early-18th century. Painted wood

16. Sedan Chair. 

North Italian and English, 17th–19th century. Painted and gilded wood with glass, leather, and upholstery

17. Armchair. 

Italian, Venice, 18th century. Painted wood

18. The Morning Toilet, 

about 1888. Anders Zorn (Swedish, 1860–1920). Oil on canvas

19. Altar Frontal with the Virgin and Child.

Italian, early 18th century. Painted leather

 

On the walls: 

Leather Panels. Italian and Netherlandish, 17–18th century. Paint and varnished silver leaf on leather

 

On the ceiling: 

The Coronation of Hebe, 1580–1589. Studio of Paolo Veronese (Italian, 1528–1588). Oil on canvas

1. Tilt-top Table. 

Italian, Venice, early-18th century. Painted wood

2. Armchair.

Italian, Venice, 18th century. Painted wood

3. The Morning Toilet, 

1888. Anders Zorn (Swedish, 1860–1920). Oil on canvas

4. Altar Frontal with the Virgin and Child. 

Italian, early 18th century. Painted leather

5. Sedan Chair. 

North Italian and English, 17th–19th century. Painted and gilded wood with glass, leather, and upholstery

6. Mirror with engraved figures. 

Italian, Venice, 18th century. Painted wood and mirrored glass

7. Toilet Mirror. 

Italian, Venice, mid-18th century. Painted and gilded wood

8. Vases. 

Italian, 18th century. Majolica

9. Chest of drawers. 

Italian, Piedmont, around 1780–90. Painted and gilded wood

10. Armchair (six in this room). 

Italian, late 19th century with 17th century elements. Walnut with modern stamped and metal leafed leather

11. Mirror. 

Italian, Venice, 1750–1800. Gilded wood

12. Screen. 

French, 1892. Gilded wood

13. Fan. 

French, 18th century. Watercolor, gouache and oil on linen

14. Chasuble Front. 

French, 17th–18th century. Brocade satin

15. The Mystical Marriage of Saint Catherine, 

about 1575. Paolo Veronese (Italian, 1528–1588). Photographic reproduction of original drawing

16. Lectern. 

Italian, late 19th century with elements from the 1780s. Gilded wood

 

On the walls: 

Leather Panels. Italian and Netherlandish, 17–18th century. Paint and varnished silver leaf on leather

 

On the ceiling: 

The Coronation of Hebe, 1580s. Studio of Paolo Veronese (Italian, 1528–1588). Oil on canvas

1. Mirror. 

French, 18th century. Gilded wood

2. Screen. 

French, 1892. Gilded wood

3. Fan. 

French, 18th century. Watercolor, gouache and oil on linen

Below fan: 

• Portrait miniatures. French, 18th century. Tempera on ivory

4. Chasuble Fronts. 

French, 17th–18th century. Brocade satin

5. Armchairs (six in this room). 

Italian, late 19th century with 17th century elements. Walnut with modern stamped and metal leafed leather

6. Trays. 

Italian, 18th century. Painted wood

7. The Mystical Marriage of Saint Catherine,

about 1575. Paolo Veronese (Italian, 1528–1588). Photographic reproduction of original drawing.

8. Lectern. 

Italian, late 19th century with elements from the 1780s. Gilded wood

9. Corner Cabinet. 

English, 19th century. Inlaid wood

Inside the cabinet: 

• Glassware. Dutch or Spanish, 17th century.

10. Altar Frontal with St. Peter Martyr. 

Italian, 18th century. Paint and varnished silverleaf on leather

11. Altar Frontal with the Virgin and Saints Catherine and Francis. 

Italian, 18th century. Paint and varnished silver leaf on leather

12. Altar Frontal with Saint Anthony of Padua. 

Italian, 18th century. Paint and varnished silver leaf on leather

13. The Story of David and Bathsheba,

1535–1540. Herri met de Bles (Netherlandish, about 1510–after 1550). Oil on wood

14. The Birth of Caterina Cornaro. 

Italian, Venice, 16th century. Oil on panel

15. Armchair. 

Italian, Piedmont, 17th century. Walnut with modern stamped and painted leather

16. The Torre dell’Orlogio, Venice,

late 18th–early 19th century. Follower of Francesco Guardi (Italian, 1712–1793). Oil on canvas

17. View of the Riva degli Schiavoni and the Piazzetta from the Bacino di San Marco,

1760–1769. Francesco Guardi (Italian, 1712–1793). Oil on canvas

18. Armchair. 

Italian, 17th century. Walnut with modern stamped and painted leather and 19th century additions

19. Lace Case. 

European (many Italian), 16th–19th century. Linen, cotton, and silk

 

On the walls: 

Leather Panels. Italian and Netherlandish, 17–18th century. Paint and varnished silver leaf on leather

 

On the ceiling: 

The Coronation of Hebe, 1580–1589. Studio of Paolo Veronese (Italian, 1528–1588). Oil on canvas