A clear glass candelabra base from Italy. The foot of the candelabra, which is wide and circular, is painted with little vignettes separated by green vertical borders painted with red and gold leaves. The paint has faded in some areas. Three painted vignettes are visible along the flared base and each show a different light-skinned person. The one on our left shows a man dressed in red with a white hat. He is holding a staff and his left leg is missing. The middle one shows a woman dressed in yellow. She is leaning over and holds a yellow bird on her finger. A chicken is on the ground to her right. The right vignette shows a person dressed in yellow robes with a black collar, holding a tan fan. A small rounded piece of glass sits atop this painted section and connects a slightly larger rounded ball of glass. Above that is another connecting piece followed by a bulb-shaped piece. There is one more connecting piece and then a rounded cylinder that would hold the candle.
Italian, Venice
Candelabra Base,
1800-1850
Painted glass
,
31 x 10.5 cm (12 3/16 x 4 1/8 in.)
Object details
Accession number
C26n41
Primary Creator
Italian, Venice
Full title
Candelabra Base
Creation Date
1800-1850
Provenance
Purchased by Isabella Stewart Gardner from the dealer Gaetano Pepe, Naples on 26 October 1897 for 40 lire.
Dimensions
31 x 10.5 cm (12 3/16 x 4 1/8 in.)
Display Media
Painted glass
Web Commentary
Isabella Stewart Gardner kept meticulous records of many of her acquisitions. In keeping with this legacy, object information is continually being reviewed, updated, and enriched in order to give greater access to the collection.
Permanent Gallery Location
Titian Room
Bibliography
Gilbert Wendel Longstreet and Morris Carter. General Catalogue (Boston, 1935), p. 223. (as probably Dutch, 17th century)
Ellenor Alcorn et al. The Best of the Decorative Arts. Exploring Treasures in the Isabella Stewart Gardner Museum IV. Exh. cat. (Boston: Isabella Stewart Gardner Museum, 1992), pp. 22-23, ill. (as Venetian, early to mid-18th century)
Rosella Mamoli Zorzi."'Foresti' In Venice in the Second Half of the 19th Century: Their Passion for Paintings, Brocades, and Glass." Atti dell' Instituto Veneto di Scienze, lettre ed arti (Venice, 2016), p. 9.
Rights and reproductions
The use of images, text, and all other media found on this website is limited. Please review Rights and Reproductions for details.
Isabella Stewart Gardner kept meticulous records of many of her acquisitions. In keeping with this legacy, object information is continually being reviewed, updated, and enriched in order to give greater access to the collection.