"Thank you so much for making these wonderful pieces available! I plan on listening to and sharing them all." --Podcast listener
About The Concert
Since 2006, the Gardner Museum's free classical podcast The Concert has made world-class performances recorded live at the museum available to listeners across the globe.
A new program is posted on the 1st and 15th of every month, so check the website often, subscribe to The Concert in iTunes or in any RSS reader to receive automatic updates. You can also download episodes of The Concert here on our site, as well as individual musical tracks by artist and composer through our online music library.
- Ives: Hymn: Largo Cantabile from A Set of 3 Short Pieces
- Dvořák: Quintet Op. 97 American Arr. by Blaise Dejardin
On this podcast, we’ll hear two selections that, to our ears, sound like America.
Only the first was actually written by an American, though: a piece called “Hymn: Largo Cantabile” from Charles Ives’s Set of 3 Short Pieces.
Ives was the son of a musician, a bandleader for the United States Army, and he studied music as a student at Yale. His music pushed harmonic boundaries far beyond what he would’ve learned at the Yale music department. But it always retained a distinctly American flavor, often incorporating popular music and, as in this piece, traditional hymn tunes. The music is a bit mysterious, and it is unmistakably Ives.
Next, we have Dvořák’s “American” Quintet, opus 97, arranged for chamber orchestra. It, like the Ives, was performed at the Gardner Museum by A Far Cry. This arrangement was composed for the group by cellist Blaise Dejardin.
The Dvořák, like the Ives, draws on traditional American tunes, incorporating several snippets of American Indian songs. Like Ives, Dvořák took these tunes and embedded them within his own sound world, creating a piece that is certainly rooted in Native American music, but rendered in Dvořák’s own unique voice.
You are free to share and reproduce any of the Gardner’s audio files and pass this great classical music along to your friends and family. We only ask that you let people know where you found it, and don’t alter the recording or use it commercially. Visit Frequently Asked Questions for more information.
We’d like to thank the following individuals and institutions, whose help and support have made this project possible:
- The musicians, without whose artistry, vision, and support we would not have been able to create this podcast.
- The Berkman Center for their legal expertise in the complex and fascinating world of digital intellectual property.
- Liberated Syndication for hosting our podcast.
- Our talented recording engineer, Tom Stephenson of Emmanuel Recording.
We welcome your comments and suggestions! Email us at email@example.com.