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About The Concert
Since 2006, the Gardner Museum's free classical podcast The Concert has made world-class performances recorded live at the museum available to listeners across the globe.
A new program is posted on the 1st and 15th of every month, so check the website often, subscribe to The Concert in iTunes or in any RSS reader to receive automatic updates. You can also download episodes of The Concert here on our site, as well as individual musical tracks by artist and composer through our online music library.
Episode 207: Home Court Advantage
Works for piano by Rachmaninoff performed by Nareh Arghamanyan on October 21, 2012 and work for violin and piano by Kreisler performed by Bella Hristova and Ieva Jokubaviciute on February 28, 2010.
- Rachmaninoff: Morceaux de fantasie, Op. 3: Elégie, Prelude in C-sharp minor, Melodie in E Major
- Rachmaninoff: Etude-Tableaux, Op. 33, No. 1-No. 5
- Kreisler: Liebesleid
Most composers have the ability to perform their own music. Many play several instruments. But there are a few who stand out, in music history, as having especially prodigious performing skills, talents that were more or less commensurate with their abilities as composers.
Rachmaninoff is perhaps the best-known composer in this category. He was, by all accounts, a uniquely gifted pianist and needless to say, he wrote piano music often. We’ll hear two such works: the first three movements of his Morceaux de fantasie, including the Prelude in C-sharp minor, which you may well recognize; and the first five of his Etudes-Tableaux. Both were performed at the Gardner by 25-year-old pianist Nareh Arghamanyan, an Armenian virtuoso who has won prizes at more than 18 major international piano competitions.
After Nareh’s performance, we’ll hear another piece composed by a virtuoso, for his own instrument. In this live recording, violinist Bella Hristova and pianist Ieva Jokubaviciute play the Liebesleid of Fritz Kreisler, a brief, lyrical work that is, like the Rachmaninoff pieces, a perfect embodiment of the unique gifts of its author. Kreisler cultivated a sweet, singing, expressive sound that was widely recognized as uniquely “his.” In our podcast, we’ll hear another young violinist developing a voice of her own.
You are free to share and reproduce any of the Gardner’s audio files and pass this great classical music along to your friends and family. We only ask that you let people know where you found it, and don’t alter the recording or use it commercially. Visit Frequently Asked Questions for more information.
We’d like to thank the following individuals and institutions, whose help and support have made this project possible:
- The musicians, without whose artistry, vision, and support we would not have been able to create this podcast.
- The Berkman Center for their legal expertise in the complex and fascinating world of digital intellectual property.
- Liberated Syndication for hosting our podcast.
- Our talented recording engineer, Tom Stephenson of Emmanuel Recording.
We welcome your comments and suggestions! Email us at email@example.com.