Music

"Thank you so much for making these wonderful pieces available! I plan on listening to and sharing them all." --Podcast listener

About The Concert

Since 2006, the Gardner Museum's free classical podcast The Concert has made world-class performances recorded live at the museum available to listeners across the globe.

A new program is posted on the 1st and 15th of every month, so check the website often, subscribe to The Concert in iTunes or in any RSS reader to receive automatic updates. You can also download episodes of The Concert here on our site, as well as individual musical tracks by artist and composer through our online music library.

Current Episode

Episode 213: Belle Epoque Violin
Works for violin and piano by Ravel, Debussy, and Saint-Saens performed by Paul Huang, violin and Jessica Osborne, piano on December 1, 2013.

The turn from 19th to 20th century was a fertile moment in French music. In the space of a few decades, artistic norms shifted dramatically, from beautifully formed, pleasingly symmetrical classicism to the mistier depictions of Impressionism.

The last piece we’ll hear is Saint-Saens’ Sonata No. 1 in D Minor. Though penned by a Frenchman in 1885, the piece sounds remarkably similar to the chamber music of Beethoven, with its substantial scale and recurring musical themes.

Before the sonata, we’ll hear two pieces that were written just a few years later, but sound like they come from another musical world. First is Ravel’s “Piece en forme de Habanera,” a work infused with the same Spanish flair that would later characterize the composer’s most famous piece, Bolero.

After the Habanera, we have another piece from early 20th century France: Debussy’s “La plus que lent.” Originally written for solo piano, this piece, too, spawned many adaptations, including the violin and piano version we’ll hear. Debussy, like Ravel, was inspired by dance: in his case, the waltz.

Sharing

You are free to share and reproduce any of the Gardner’s audio files and pass this great classical music along to your friends and family. We only ask that you let people know where you found it, and don’t alter the recording or use it commercially. Visit Frequently Asked Questions for more information.

Acknowledgements

We’d like to thank the following individuals and institutions, whose help and support have made this project possible:

  • The musicians, without whose artistry, vision, and support we would not have been able to create this podcast.
  • The Berkman Center for their legal expertise in the complex and fascinating world of digital intellectual property.
  • Liberated Syndication for hosting our podcast.
  • Our talented recording engineer, Tom Stephenson of Emmanuel Recording.

We welcome your comments and suggestions! Email us at podcast@isgm.org.

 

Want more music from the Gardner Museum?

Listen to and download our free music podcast, The Concert