Music

"Thank you so much for making these wonderful pieces available! I plan on listening to and sharing them all." --Podcast listener

About The Concert

Since 2006, the Gardner Museum's free classical podcast The Concert has made world-class performances recorded live at the museum available to listeners across the globe.

A new program is posted on the 1st and 15th of every month, so check the website often, subscribe to The Concert in iTunes or in any RSS reader to receive automatic updates. You can also download episodes of The Concert here on our site, as well as individual musical tracks by artist and composer through our online music library.

Current Episode

Episode 212: Wendy Warner Plays Brahms
Works for cello and piano by Brahms performed by Wendy Warner, cello and Irina Nuzova, piano on September 28, 2014.

  • Brahms: Sapphische Ode, Op. 94, No. 4 arranged by David Geringas
  • Brahms: Lerchengesang (Lark Song) arranged by Zuill Bailey
  • Brahms: Sonata for Cello and Piano No. 2 in F Major, Op. 99

In September 2014, cellist Wendy Warner played a recital at the Gardner Museum, joined by pianist Irina Nuzova. The program had a distinct focus on Brahms, and on this podcast, we’ll feature three of the Brahms works.

First come two arrangements for cello of Brahms lieder. First is the languidly beautiful “Sapphische Ode,” a love song. The second song we’ll hear is “Lerchengesang,” the Song of the Lark. This is another of Brahms’ love songs, a remarkably sweet, tender melody, about hearing a lark’s song and being reminded of a special spring moment long ago.

Then, we get to the meat of the program: Brahms’ Sonata for cello and piano No. 2, in F Major. The piece opens with an exuberant first movement, with tremolos in the piano and soaring melodies in the cello.

The subsequent movements of the sonata explore a variety of different keys, harmonies, techniques, and moods. The slow movement starts curiously, with the piano voicing the main theme while the cellist plucks along, pizzicato. The final allegro is a quick, light romp, perhaps a somewhat abrupt ending to such a major piece, but one that cleverly leaves the listener wanting more.

Sharing

You are free to share and reproduce any of the Gardner’s audio files and pass this great classical music along to your friends and family. We only ask that you let people know where you found it, and don’t alter the recording or use it commercially. Visit Frequently Asked Questions for more information.

Acknowledgements

We’d like to thank the following individuals and institutions, whose help and support have made this project possible:

  • The musicians, without whose artistry, vision, and support we would not have been able to create this podcast.
  • The Berkman Center for their legal expertise in the complex and fascinating world of digital intellectual property.
  • Liberated Syndication for hosting our podcast.
  • Our talented recording engineer, Tom Stephenson of Emmanuel Recording.

We welcome your comments and suggestions! Email us at podcast@isgm.org.

 

Want more music from the Gardner Museum?

Listen to and download our free music podcast, The Concert