"Thank you so much for making these wonderful pieces available! I plan on listening to and sharing them all." --Podcast listener
About The Concert
Since 2006, the Gardner Museum's free classical podcast The Concert has made world-class performances recorded live at the museum available to listeners across the globe.
A new program is posted on the 1st and 15th of every month, so check the website often, subscribe to The Concert in iTunes or in any RSS reader to receive automatic updates. You can also download episodes of The Concert here on our site, as well as individual musical tracks by artist and composer through our online music library.
- Vitali: Chaconne in G Minor for violin and piano
- Debussy: Sonata for Violin and Piano in G Minor
- Szymanowski: Nocturne and Tarentella, Op. 28
Today, we’ll introduce a violinist who we think you’ll be hearing much more about: Angelo Xiang Yu. He swept a number of major competitions, winning the prestigious Yehudi Menuhin International Violin Competition in 2010. He attended New England Conservatory here in Boston for his undergraduate education and Artist Diploma and, this fall, will continue studying there for his Master’s degree.
For his Gardner Museum recital in April 2014, he brought with him a program that, as we’ll hear today, showcased his breadth and virtuosity.
The Vitali Chaconne has a notable history with virtuoso violinists. In fact, Jascha Heifetz chose this piece as the curtain-raiser for his own American debut, at Carnegie Hall in 1917. But according to modern scholars, it’s quite unlikely that this work was actually written by its supposed Baroque-era author, Tomaso Antonio Vitali, a violinist from Bologna. The piece has a distinctly Romantic flavor for a work that supposedly hails from the early 1700’s.
We’ll hear the Chaconne first, followed by the Debussy Sonata – one of the composer’s final works – and finally the Szymanowki Nocturne and Tarantella, all performed by violinist Xiang Yu and pianist Dina Vainshtein.
You are free to share and reproduce any of the Gardner’s audio files and pass this great classical music along to your friends and family. We only ask that you let people know where you found it, and don’t alter the recording or use it commercially. Visit Frequently Asked Questions for more information.
We’d like to thank the following individuals and institutions, whose help and support have made this project possible:
- The musicians, without whose artistry, vision, and support we would not have been able to create this podcast.
- The Berkman Center for their legal expertise in the complex and fascinating world of digital intellectual property.
- Liberated Syndication for hosting our podcast.
- Our talented recording engineer, Tom Stephenson of Emmanuel Recording.
We welcome your comments and suggestions! Email us at email@example.com.