Ledoh (b. 1961 Burma) is a multi-media performance artist and Butoh dancer. His choreography mirrors the full range of human experience and defines a unique raw movement vocabulary. Ledoh trained in Japan under Butoh Master Katsura Kan and performed internationally with Katsura Kan's company, Saltimbanques, from 1988–2001. In 1998 he founded Salt Farm, a San Francisco-based collective united in its mission to explore its diverse cultural roots via the art of Butoh. His multimedia works for Salt Farm include Blue Scale, River of Sand, River Rock Sun, Reverberation, and Requiem for Darkness. Ledoh's site-specific collaborations with composers Reverend Markus Hawkins and Michael Kosacki have electrified audiences in and around San Francisco for over ten years.

Ledoh was awarded Best Documentary Short at the 2007 GoLeft Documentary Film Festival, for Flag, which documents the creation of his project, COLORMEAMERICA. He has received support from the Margaret Jenkins Dance Laboratory, the Irvine Foundation, the San Francisco Arts Commission, the Zellerbach Family Fund and Creative Capitol. Ledoh has been awarded residencies at the Headlands Center for the Arts, the Luggage Store Gallery, and the Lucas Artists Program at Montalvo. Ledoh has taught his approach to improvisation at Naropa University, Dancer's Group Summerfest, and to other Bay Area dance companies. He lives and works in San Francisco and in the Sonoma Valley of California.

While in residence in 2007, Ledoh spent the month exploring the galleries, talking with staff, and looking through materials including Gardner's travel scrapbooks from Japan, Java and Cambodia. Outside of the Gardner, Ledoh spent several days a week working out ideas at a local dance studio and going to performances, openings and talks in and around Boston. In September 2007 he returned to give two performances, Captivity Concealed in the Tapestry Room and Captivity Revealed in the Courtyard. These works included music by violinist Reverend Markus Hawkins and explored the boundaries of freedom by delving into subtle and not-so-subtle forms of captivity such as culture, environment, ego, and one’s own body. In addition, Ledoh worked with second and third graders at the Mission Hill School to sharpen their consciousness of space through movement, drawing, and discussion. The project culminated into a performance that the students shared with their school.