- Collection Overview
- ExhibitionsPast Exhibitions
- Anders Zorn: A European Artist Seduces America
- Gondola Days
- Raphael, Cellini, and a Renaissance Banker
- Making of the Museum
- Cosmè Tura
- Illuminating the Serenissima: Books of the Republic of Venice
- Modeling Devotion
- Journeys East
- The Triumph of Marriage
- Luxury For Export
- A Bronze Menagerie
- Gentile Bellini and the East
- Off the Wall
- 1995
- Browse Rooms
- Browse Artists
- Angelico, Fra
- Anguissola, Sofonisba
- Bakst, Léon
- Bandinelli, Baccio
- Beckhausen, Jakob
- Bellini, Gentile
- Bellini, Giovanni
- Bellini, Leonardo
- Bermejo, Bartolomé
- Bles, Herri met de
- Bordone, Paris
- Botticelli, Sandro
- Botticini, Francesco
- Boucher, François
- Bourdichon, Jean
- Bulgarini, Bartolommeo
- Bunker, Denis Miller
- Cambodian: Unknown Artist
- Cellini, Benvenuto
- Chinese: Unknown Artist
- Chunosuke, Niiro
- Civitali, Matteo di Giovanni
- Crivelli, Carlo
- Curtis, Ralph
- Daddi, Bernardo
- Degas, Edgar
- Dewing, Thomas Wilmer
- Dürer, Albrecht
- Dyck, Anthony van
- Eriksson, Christian
- Eurasian: Unknown Artist
- Falconetto, Giovanni Maria
- Fiesole, Mino da
- Flemish: Unknown Artist
- Flinck, Govaert
- Fondulis, Giovanni de
- Francesca, Piero della
- Francia, Francesco
- French: Unknown Artist
- French or German: Unknown Artist
- García de Benabarre, Pedro
- Giorgio, Francesco di
- Giambono, Michele
- German: Unknown Artist
- Geubels, Jacques
- Giotto
- Greek: Unknown Artist
- Hassam, Childe
- Helleu, Paul César
- Hidetsugu, Yosai
- Holbein, Hans, the Younger
- Indian: Unknown Artist
- Iranian: Unknown Artist
- Iranian or Central Asian: Unknown Artist
- Italian: Unknown Artist
- Italian or Spanish: Unknown Artist
- Japanese: Unknown Artist
- Javanese: Unknown Artist
- Ken'ya, Miura
- Kronberg, Louis
- Lippi, Filippino
- Macknight, Dodge
- Maiano, Benedetto da
- Mancini, Antonio
- Manet, Edouard
- Manship, Paul
- Mantegna, Andrea
- Martini, Simone
- Master T.° Ve.
- Matisse, Henri
- Mendoza Binder
- Mesopotamian: Unknown Artist
- Mexican: Unknown Artist
- Michelangelo
- Mor, Antonis
- Moroni, Giovanni Battista
- Mosca, Giovanni Maria
- Moyen, Jan van der
- Paolo, Giovanni di
- Pesellino, Francesco
- Piermatteo d’Amelia
- Pinturicchio, Bernardino
- Planche, Raphael de la
- Pollaiolo, Piero del
- Pourbus, Frans, the Younger
- Raphael
- Rembrandt
- Rimini, Giuliano da
- Robbia, Andrea della
- Robbia, Giovanni della
- Roman: Unknown Artist
- Rossetti, Dante Gabriel
- Rubens, Peter Paul
- Ruskin, John
- Ryonyu, Raku
- Sargent, John Singer
- Schongauer, Martin
- Seisai
- Spanish: Unknown Artist
- Taikan, Yokoyama
- Terilli, Francesco
- Tibetan: Unknown Artist
- Tiegen, Jan van
- Tiepolo, Giovanni Domenico
- Tintoretto, Domenico
- Titian
- Tsunenobu, Kano
- Tura, Cosmè
- Turkish: Unknown Artist
- Turner, J.M.W.
- Uccello, Paolo
- Vasari, Giorgio
- Velázquez, Diego
- Vermeer, Johannes
- Veronese, Paolo
- Voerman, Jan I
- Whistler, James McNeill
- Zorn, Anders
- Zurbarán, Francisco de
- Browse Genres
Blue Room
Like the nearby Yellow and Macknight rooms, the Blue Room reflects the life and times of Isabella Gardner. More intimate than the grand galleries on the two upper floors, the Blue Room is filled with memories of Gardner’s large circle of friends. Works by John Singer Sargent are displayed along with those of less-famous artists Ralph Curtis and Joseph Lindon Smith. In the cases you will find memorabilia of others who helped broaden her understanding and appreciation of art interspersed with letters and photographs of American literary figures.
In fall 1995, the elaborate silk wall coverings in the Blue Room were restored to their historic appearance. The gallery’s walls were covered in five different 18th-century silk fabrics (a moiré stripe, two damasks, and two brocattlles), all in shades of blue. The original fabrics were purchased by Isabella Gardner in Europe and assembled by her in a single installation. This layering effect reflected Gardner’s often-eclectic aesthetic and contributed to the room’s original elegance and intimacy. In the 1950s, the original fabrics were replaced with a single fabric (a reproduction of the moiré stripe) due to wear and tear. To recreate the original look, conservators relied on remnants of the original fabrics from the Museum’s archives or found under the 1950s fabric and, in partnership with Scalamandre of New York and the Humphries Weaving Company, Ltd., worked to recreate and reinstall all five patterns. The reinstallation of these fabrics in Gardner’s original pattern returns the gallery closer to its original appearance and Gardner’s original intent.



Visit and Discover