This immensely moving image, with remnants of original pigment visible in the beard, eyes, and loin cloth, has taken on even greater pathos through centuries of wear and damage, which echo Christ’s suffering on the cross.

The sculpture was originally part of a much larger ensemble that depicted the body of the dead Christ being lowered from the cross. A large number of such sculptural groups were produced in small hill towns in Catalonia, to the north of Barcelona. It appears that the creativity of a few sculptural workshops in the region encouraged the production of these dramatic depictions.

While nothing is known of the ensemble to which this figure belonged, similar groups were made to be displayed over the high altar of local community churches. With nearly life-size, naturalistically painted figures, such depictions — almost re-enactments — of Christ’s removal from the cross provided dramatic narratives for congregations.

Source: Eye of the Beholder, edited by Alan Chong et al. (Boston: ISGM and Beacon Press, 2003): 23.

Purchased in 1917 from Joseph Brummer, New York.