- Collection Overview
- ExhibitionsPast Exhibitions
- Anders Zorn: A European Artist Seduces America
- Gondola Days
- Raphael, Cellini, and a Renaissance Banker
- Making of the Museum
- Cosmè Tura
- Illuminating the Serenissima: Books of the Republic of Venice
- Modeling Devotion
- Journeys East
- The Triumph of Marriage
- Luxury For Export
- A Bronze Menagerie
- Gentile Bellini and the East
- Off the Wall
- Conservation
- Browse Rooms
- Browse Artists
- Angelico, Fra
- Anguissola, Sofonisba
- Bakst, Léon
- Bandinelli, Baccio
- Beckhausen, Jakob
- Bellini, Gentile
- Bellini, Giovanni
- Bellini, Leonardo
- Bermejo, Bartolomé
- Bles, Herri met de
- Bordone, Paris
- Botticelli, Sandro
- Botticini, Francesco
- Boucher, François
- Bourdichon, Jean
- Bulgarini, Bartolommeo
- Bunker, Denis Miller
- Cambodian: Unknown Artist
- Cellini, Benvenuto
- Chinese: Unknown Artist
- Chunosuke, Niiro
- Civitali, Matteo di Giovanni
- Crivelli, Carlo
- Curtis, Ralph
- Daddi, Bernardo
- Degas, Edgar
- Dewing, Thomas Wilmer
- Dürer, Albrecht
- Dyck, Anthony van
- Eriksson, Christian
- Eurasian: Unknown Artist
- Falconetto, Giovanni Maria
- Fiesole, Mino da
- Flemish: Unknown Artist
- Flinck, Govaert
- Fondulis, Giovanni de
- Francesca, Piero della
- Francia, Francesco
- French: Unknown Artist
- French or German: Unknown Artist
- García de Benabarre, Pedro
- Giorgio, Francesco di
- Giambono, Michele
- German: Unknown Artist
- Geubels, Jacques
- Giotto
- Greek: Unknown Artist
- Hassam, Childe
- Helleu, Paul César
- Hidetsugu, Yosai
- Holbein, Hans, the Younger
- Indian: Unknown Artist
- Iranian: Unknown Artist
- Iranian or Central Asian: Unknown Artist
- Italian: Unknown Artist
- Italian or Spanish: Unknown Artist
- Japanese: Unknown Artist
- Javanese: Unknown Artist
- Ken'ya, Miura
- Kronberg, Louis
- Lippi, Filippino
- Macknight, Dodge
- Maiano, Benedetto da
- Mancini, Antonio
- Manet, Edouard
- Manship, Paul
- Mantegna, Andrea
- Martini, Simone
- Master T.° Ve.
- Matisse, Henri
- Mendoza Binder
- Mesopotamian: Unknown Artist
- Mexican: Unknown Artist
- Michelangelo
- Mor, Antonis
- Moroni, Giovanni Battista
- Mosca, Giovanni Maria
- Moyen, Jan van der
- Paolo, Giovanni di
- Pesellino, Francesco
- Piermatteo d’Amelia
- Pinturicchio, Bernardino
- Planche, Raphael de la
- Pollaiolo, Piero del
- Pourbus, Frans, the Younger
- Raphael
- Rembrandt
- Rimini, Giuliano da
- Robbia, Andrea della
- Robbia, Giovanni della
- Roman: Unknown Artist
- Rossetti, Dante Gabriel
- Rubens, Peter Paul
- Ruskin, John
- Ryonyu, Raku
- Sargent, John Singer
- Schongauer, Martin
- Seisai
- Spanish: Unknown Artist
- Taikan, Yokoyama
- Terilli, Francesco
- Tibetan: Unknown Artist
- Tiegen, Jan van
- Tiepolo, Giovanni Domenico
- Tintoretto, Domenico
- Titian
- Tsunenobu, Kano
- Tura, Cosmè
- Turkish: Unknown Artist
- Turner, J.M.W.
- Uccello, Paolo
- Vasari, Giorgio
- Velázquez, Diego
- Vermeer, Johannes
- Veronese, Paolo
- Voerman, Jan I
- Whistler, James McNeill
- Zorn, Anders
- Zurbarán, Francisco de
- Textiles
Queen Tomyris Learns that Her Son Has Been Taken Captive by Cyrus
about 1535-1550
Workshop of Jan van der Moyen, Flemish (Brussels)
Wool warp, wool and silk wefts, 402 x 461 cm
Genre: European Art, Textiles
Location: Tapestry Room
Accession Number: T19e36
This tapestry belongs to a series of five depicting scenes from the life of Cyrus the Great, legendary founder of the Persian empire. Herodotus tells of an attack by Cyrus on a distant land ruled by Queen Tomyris. Cyrus sacrificed a portion of his army to entrap the enemy by leaving them behind feasting on a large banquet. Tomyris’s troops, led by her son Spargapises, attacked Cyrus’s decoy troops, then stopped to consume the remains of the food and wine. Cyrus ambushed them and captured the queen’s son. Although Cyrus freed Spargapises, he immediately took his own life.
In revenge, Tomyris led her troops against Cyrus. After defeating his army, she searched the battlefield for Cyrus’s corpse and exacted her vengeance by dipping the body in blood – giving him his “fill of blood” as she had vowed. Grand gestures and elaborate costumes were frequently employed in tapestry design. The figures are expertly situated in a landscape, which serves as the setting for other elements of the story: Spargapises is held captive at the left; a battle rages farther back.
Source: Richard Lingner, "Queen Tomyris Learns that Her Son Has Been Taken Captive by Cyrus," in Eye of the Beholder, edited by Alan Chong et al. (Boston: ISGM and Beacon Press, 2003): 117.
Purchased in 1903 from Mrs. Charles M. Ffoulke, Washington.
















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